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	<title>JARED RAGLAND</title>
	<link>https://jaredragland.com</link>
	<description>JARED RAGLAND</description>
	<pubDate>Sun, 02 Aug 2026 16:32:46 +0000</pubDate>
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		<title>RECENT NEWS</title>
				
		<link>https://jaredragland.com/RECENT-NEWS</link>

		<pubDate>Sun, 21 Jan 2024 16:10:53 +0000</pubDate>

		<dc:creator>JARED RAGLAND</dc:creator>

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		<description>NEWSFollow along on Substack ︎︎︎


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		<title>07-23-26-UNFIXED PUBLISHED</title>
				
		<link>https://jaredragland.com/07-23-26-UNFIXED-PUBLISHED</link>

		<pubDate>Thu, 23 Jul 2026 23:40:07 +0000</pubDate>

		<dc:creator>JARED RAGLAND</dc:creator>

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		<description>07.23.26 // ‘AN UNFIXED PILGRIMAGE’ PUBLISHED BY COMPOSIT PRESS&#60;img width="2635" height="1586" width_o="2635" height_o="1586" data-src="https://freight.cargo.site/t/original/i/5b456198654e2aacdc6c47324e9036901f6a5d2e66462f39d3131cd278a7dbf3/ISIMG-779398-2.jpg" data-mid="250674275" border="0" data-scale="80" alt="'an unfixed pilgrimage' special edition" data-caption="'an unfixed pilgrimage' special edition" src="https://freight.cargo.site/w/1000/i/5b456198654e2aacdc6c47324e9036901f6a5d2e66462f39d3131cd278a7dbf3/ISIMG-779398-2.jpg" /&#62;
COMPOSIT Press is pleased to announce the publication of an unfixed pilgrimage, a collaborative monograph by Jared Ragland and Sara J. Winston. The book traces parallel journeys by artists whose lives—and practices—have been reshaped by relocation, loss, and the demands of a creative and academic life.
&#38;nbsp;

Ragland and Winston have known one another for 15 years, beginning when Winston was a student of Ragland's at the Corcoran College of Art + Design. Their relationship has since evolved into one of trusted friendship and artistic peerage. Several years ago, in order to put stakes in the ground for the mirage of job security in academia, both Ragland and Winston settled in regions they struggled to call home—Ragland in northern Utah, Winston in the Hudson River Valley. For Ragland it was an alien, and alienating, landscape, far from his native Alabama; for Winston it was familiar countryside, only 40 miles north of where she grew up, but seen anew through the altered consciousness of parenthood and chronic illness.


The work grew from “20-40-10," an assignment developed by Joe Cameron and Claudia Smigrod at the Corcoran. The exercise requires students to expose 20 rolls of film, produce 40 work prints, and complete 10 final prints within a prescribed period. In homage to their shared Corcoran roots, Ragland and Winston adopted the prompt and expanded it into a two-year collaborative investigation.&#38;nbsp; 


The photographs document an intimate and elegiac, yet unresolved, journey—embracing a sense of uncertainty that suggests the search for belonging is not found in a specific time or place but through the continued practice of attention, kinship, and care.


About the book: 9 x 11" 144 pages. An annotated photocopy of an excerpt from Wendell Berry's essay "The Unforeseen Wilderness" is stapled to the cover. Edition of 250.

Special Edition Box:&#38;nbsp;9.5 x 11.5" when closed, 33 x 11.5" when open.&#38;nbsp;Box contains two foldout flaps: the left features a contact print, the right an archival pigment print. Eight boxes will feature prints by Ragland, eight by Winston. The book is housed in the center, situated above a well containing an exposed, yet undeveloped, roll of film by each artist. The original assignment sheet that inspired the work is attached to the front of the box. Edition of 16.
Available Feb. 2027. Pre-order via COMPOSIT Press.&#38;nbsp;Composit Press, housed in the Art Department of the School of Visual, Performing, and Design Arts at Oregon State University, is a student-staffed printing press and bindery. Within a curricular structure, students design, print, and bind publications with a photographic or art focus. Composit Press in run by Evan Baden, Senior Instructor of Photography and is funded by the sales of it’s Photobooks.



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		<title>08-01-26-SMITH</title>
				
		<link>https://jaredragland.com/08-01-26-SMITH</link>

		<pubDate>Sun, 02 Aug 2026 16:32:46 +0000</pubDate>

		<dc:creator>JARED RAGLAND</dc:creator>

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		<description>08.01.26 //&#38;nbsp;MICHAEL P. SMITH AWARD

WHAT HAS BEEN WILL BE AGAIN has received an Honorable Mention in the 2026 Michael P. Smith&#38;nbsp;Fund for Documentary Photography. Organized by the New Orleans Photo Alliance, the MPS Fund was created to honor the life and work of Michael P. Smith, one of New Orleans’ most legendary and beloved documentary photographers.
The award was juried by Alyssa Ortega Coppelman, a photography consultant and photo editor based in Austin, Texas. Coppelman is the Art Editor at Oxford American magazine and freelance editor with Harper’s Magazine. She has also served as a senior photo editor for National Geographic and as Archival Producer for PBS NewsHour.


The MPS Fund is open to emerging and established photographers residing in the Gulf Coast states (Texas, Louisiana, Mississippi, Alabama, Florida and Georgia); the main criteria for selection is strength of the applicant’s portfolio and a written project statement, each demonstrating a commitment to a documentary project.



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		<title>06-05-26-FOTOFORUM</title>
				
		<link>https://jaredragland.com/06-05-26-FOTOFORUM</link>

		<pubDate>Sun, 21 Jun 2026 19:32:20 +0000</pubDate>

		<dc:creator>JARED RAGLAND</dc:creator>

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		<description>06.05.26 // WHBWBA OPENS AT FOTO FORUM SANTA FE + 2026 PHOTOGRAPHY AWARD

WHAT HAS BEEN WILL BE AGAIN has received the 2026 Foto Forum Santa Fe Photography Awardand will be on view June 5-July 25. The sixth annual international competition was juried by Ray Potes of Hamburger Eyes and open to emerging and established artists. 

Foto Forum Santa Fe is a 501(c)(3) non-profit that creates an artistic space to explore the current relationship between photography, storytelling, science, and technology through artist exhibitions, workshops, visiting artist lectures, research, and community outreach. The Photography Award expands upon Foto Forum’s commitment to showcasing both contemporary work from established artists and giving opportunities for emerging photographers to find an audience. 
The exhibition will feature several new photographs, made with support of a 2025 Brooklyn Darkroom Residency and 2025 Center for Photographic Art Mid-Career Artist Grant.

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		<title>03-19-26-SPE</title>
				
		<link>https://jaredragland.com/03-19-26-SPE</link>

		<pubDate>Tue, 24 Mar 2026 20:57:50 +0000</pubDate>

		<dc:creator>JARED RAGLAND</dc:creator>

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		<description>03.19.26 // SPE NATIONAL CONFERENCE

On Friday, March 20 I was joined by friend and collaborator Sara J. Winston in co-chairing a panel at the SPE national conference in Atlanta. &#38;nbsp;An Unfixed Pilgrimage: Vulnerability, Kinship &#38;amp; Healing through Collaboration featured fellow photographers Rachel Boillot, Allison Grant, and J Carrier.&#38;nbsp;

Panel Abstract: Photography is a medium well suited for dialog between artists, be it a place-based investigation to forge stronger mutual understanding, a visual exchange of images to spark dialogue, and/or creation of space to reflect on collective experiences. Photography gives us a common language, and power, to spark meaningful conversation. When photography is approached as a collaborative means to artmaking, it can be a catalyst for impactful change, discovery, and community building. 
Inspired by session chairs Jared Ragland and Sara J. Winston’s experiences of the important (and often absent) element of kinship in the medium, this session will focus on collaborative journeys and strategies that have yielded opportunities for transformative vulnerability, empathy, healing, and growth.

SPE is the leading forum for fostering understanding of photography in all its forms and related media. SPE engages its worldwide membership and affiliated communities through a range of supportive platforms including conferences, events, and publications.

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		<title>01-13-26-PHOTONOLA</title>
				
		<link>https://jaredragland.com/01-13-26-PHOTONOLA</link>

		<pubDate>Sun, 11 Jan 2026 00:19:21 +0000</pubDate>

		<dc:creator>JARED RAGLAND</dc:creator>

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		<description>01.13.26 // PHOTONOLA BOOK PRIZE

&#60;img width="1000" height="750" width_o="1000" height_o="750" data-src="https://freight.cargo.site/t/original/i/c4f94bb2131ad5d1771d59aee95e94a1804066df4d2b3179dc956bae5e47b80c/RaglandWinston_JaredSara_2.jpg" data-mid="243069662" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/c4f94bb2131ad5d1771d59aee95e94a1804066df4d2b3179dc956bae5e47b80c/RaglandWinston_JaredSara_2.jpg" /&#62;
The New Orleans Photo Alliance has named an unfixed pilgrimage as the 2025 Award of Excellence in the second annual PhotoNOLA Photobook Prize, juried by Bill Boling of Fall Line Press. &#38;nbsp;
The PhotoNOLA Photobook Prize celebrates creativity and excellence in photobook publishing. As the Award of Excellence winner, the book will be featured at the Photobook Prize table at the PhotoWALK and Photobook Fair at the Ogden Museum of Southern Art during the 2026 PhotoNOLA Festival in December.&#38;nbsp;
an unfixed pilgrimage is co-authored with Sara J. Winston and features 40 black and white photographs (20 by Ragland; 20 by Winston) situated alongside text from Wendell Berry’s&#38;nbsp;The Unforeseen Wilderness. The pictures document a range of intimate and quotidian moments while seeking beauty and meaning within domestic spaces and the wider landscapes of home. The book was edited, designed, printed, and case bound by the artists as two artist proofs in summer 2024 at Eliot Dudik Studios.


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		<title>01-12-26-UAH</title>
				
		<link>https://jaredragland.com/01-12-26-UAH</link>

		<pubDate>Fri, 09 Jan 2026 19:08:14 +0000</pubDate>

		<dc:creator>JARED RAGLAND</dc:creator>

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		<description>01.12.26 // WHBWBA AT UAH UNION GROVE GALLERY
&#60;img width="4500" height="5250" width_o="4500" height_o="5250" data-src="https://freight.cargo.site/t/original/i/14f71ad13fcbf8ba4ee2fe9a70dfb8f6e97739c6e852693e3199d1f5352ac6da/Untitled-6.jpg" data-mid="242681778" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/14f71ad13fcbf8ba4ee2fe9a70dfb8f6e97739c6e852693e3199d1f5352ac6da/Untitled-6.jpg" /&#62;
WHAT HAS BEEN WILL BE AGAIN will be on view at the University of Alabama in Huntsville’s Union Grove Gallery, Jan. 12-Feb. 20. &#38;nbsp;A closing reception is scheduled for Feb. 19 at 6pm.&#38;nbsp;The exhibition will feature several new photographs, made with support of a 2025 Brooklyn Darkroom Residency and 2025&#38;nbsp;Center for Photographic Art Mid-Career Artist Grant. 

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		<title>08-18-25-GREENFIELD</title>
				
		<link>https://jaredragland.com/08-18-25-GREENFIELD</link>

		<pubDate>Sat, 18 Oct 2025 18:16:43 +0000</pubDate>

		<dc:creator>JARED RAGLAND</dc:creator>

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		<description>08.18.25 //&#38;nbsp;GREENFIELD PLEIN AIR

On Sunday, Oct. 18, I will be joined with my longtime collaborator, Cary Norton, in making wet-plate collodion tintypes during the 2025 Plein Air Invitational at William Faulkner’s old mule farm, Greenfield Farm, located just outside of Oxford, Miss. &#38;nbsp;Cary and I are excited to debut a handbuilt 16x20 mammoth plate camera -- a camera that Cary has had in the works for nearly five years.

Participating artists include: Kaleena Stasiak, Catherine Jones, Jared Ragland, Rowan Haug, Joshua Brinlee, Stacy Rathert, Jingshuo Yang, Aubrey Pohl, Carlyle Wolfe; with a poetry reading by former Mississippi Poet Laureate Beth Ann Fennelly.

The Plein Air Invitational is a collaboration between the University of Mississippi and Mississippi State University, curated by Brooke P. Alexander &#38;amp; Caroline Hatfield, and is presented by Visit Oxford MS, the Yoknapatawpha Arts Council, and Greenfield Farm Writers Residency, a project of the Mississippi Lab at the University of Mississippi.&#38;nbsp;&#38;nbsp;










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		<title>08-08-25-MISSISSIPPI</title>
				
		<link>https://jaredragland.com/08-08-25-MISSISSIPPI</link>

		<pubDate>Fri, 18 Jul 2025 17:10:27 +0000</pubDate>

		<dc:creator>JARED RAGLAND</dc:creator>

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		<description>08.08.25 //&#38;nbsp;UNIVERSITY OF MISSISSIPPI
&#60;img width="1800" height="1800" width_o="1800" height_o="1800" data-src="https://freight.cargo.site/t/original/i/f508783a52e621640136baab30ed567a82061ff2387a07b7fac2871041227917/_DSF8426_1.jpg" data-mid="239561126" border="0" data-scale="78" src="https://freight.cargo.site/w/1000/i/f508783a52e621640136baab30ed567a82061ff2387a07b7fac2871041227917/_DSF8426_1.jpg" /&#62;
Hello from my new home in Mississippi, where I’ve joined the faculty at the University of Mississippi and moved everything into this 100 year old shotgun house (well, mostly everything). The house originally came from a town called Alligator over in the Delta and was plunked down here a few decades ago, just a few miles south of Oxford and off the old road where Faulkner would run his horses and Bill Eggleston once drove his car into a ditch. Over yonder is a good swimming hole and out back is a fallow cotton field. Some nights the septuagenarian who lives in the farmhouse across the field will come by for a drink. She is a real spitfire and can put down more Bud heavies than an Sig Nu on Saturday night. We plan to walk to town for a piece of catfish soon. Meanwhile I just got off the wait list at the post office for a PO Box; no one here in this town of 300 keeps a regular mailbox. I got number 12 because one of the old timers died, I reckon.


Anyway, I couldn’t be more excited to join such a storied institution in such a storied place, with the charge of shepherding the transition of the photo program into a new era. But I’m also here simply because I want to be. “How often have I lain beneath rain on a strange roof, thinking of home,” Faulkner once wrote. After several years in the desert (literally and figuratively), this is the place where I'll make home, tend to an irreparably broken heart, and redouble my photographic work within a rich and familiar geography. At this point in life, fresh starts are few and far between. I’m grateful to have this one and to be home on this little postage stamp of native soil. 


Y'all come visit.




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	<item>
		<title>06-04-25-CFPA</title>
				
		<link>https://jaredragland.com/06-04-25-CFPA</link>

		<pubDate>Wed, 04 Jun 2025 05:26:24 +0000</pubDate>

		<dc:creator>JARED RAGLAND</dc:creator>

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		<description>06.04.25 // CENTER FOR PHOTOGRAPHIC ART MID-CAREER ARTIST GRANT
&#60;img width="1379" height="1786" width_o="1379" height_o="1786" data-src="https://freight.cargo.site/t/original/i/2db5ea080bbd3b2ac10f497b8aeee0f9254d1c3282d238a652c4ace5d5d34935/Screen-Shot-2025-06-03-at-11.57.38-PM-2.png" data-mid="234153094" border="0" data-scale="77" src="https://freight.cargo.site/w/1000/i/2db5ea080bbd3b2ac10f497b8aeee0f9254d1c3282d238a652c4ace5d5d34935/Screen-Shot-2025-06-03-at-11.57.38-PM-2.png" /&#62;

Delighted to share I have received a 2025 Mid-Career Artist Grant from the Center for Photographic Art. Selected by Nancy Burns, W.M. Hunt, and Frank Yamrus, the grant provides $5k in support my ongoing work in Alabama. Fellow grantees include Emergent Artist winner Nancy Rivera and Project Support winner David Emitt Adams.


The Center for Photographic Art was founded in 1988 to carry on the traditions of the illustrious Friends of Photography created by Ansel Adams, Cole and Brett Weston, Wynn Bullock, Nancy Newhall, Beaumont Newhall and a group of like-minded photographers. 


The CPA has presented the same level of high-quality exhibitions, community events, educational engagement, and artist lectures as its predecessor, as well as expanded to create a variety of community collaborations, workshops, publications, juried contests and grant opportunities. With roots starting in 1967, the CPA remains the oldest, longest running, and one of the most prestigious photographic organizations on the west coast. 




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